Last week saw the publication of an article I’ve been waiting to share for some time. It concerns someone whose contributions to a number of pioneering early UK “bleep and bass” techno records has largely gone undocumented: Martin Williams AKA DJ Martin. The feature is called “The Mentor: The Untold Story of DJ Martin” and you […]
Last week, my Join The Future mix of sub-bass propelled early UK techno and electro was named as one of the mixes of the month by Fact magazine, which was a pleasant surprise. Since then, it has also been named Mix of the Week by German blog Das Filter. While my German is a little […]
To mangle the words of LFO’s clanking bleep-era anthem “We Are Back”, there are many imitators, but very few true creators. When it comes to British dance music, Robert Gordon is undoubtedly a “true creator”. Gordon’s story is seldom told, a by-product of not only the overlooked nature of the turn of the ‘90s “bleep […]
Take a peek inside this month’s issue of DJ Magazine and you’ll find my first ever feature for the magazine, an in-depth “Game Changers” article on what I believe to be one of the most influential and timeless British dance records ever made, LFO’s 1990 debut single “LFO”. Arguably the critical, commercial and artistic high […]
This coming Saturday (2nd June 2018) sees the inaugural edition of the Inner City Electronic festival take place across 11 venues in Leeds. It’s a similar format to those previously used by things like No Bounds and Tramlines in Sheffield (before the latter’s move to Hillsborough Park) and Simple Things in my home city of […]
Bleep connoisseurs have long spoken in hushed tones about Ability II’s “Pressure Dub”, the B-side of the producer’s one and only release on iconic (if short-lived) Leeds label BASSIC. There’s no denying that it’s a thrillingly good track – a 10-minute journey into heavyweight sub-bass and futurist Detroit electronics that remains one of the style’s […]
I remember a DJ friend of mine once berating The Kelly Twins for playing A Guy Called Gerald’s “Voodoo Ray” at a club night. Apparently it was, “too obvious”. Sean and Dan Kelly got into a heated debate with said DJ, extolling the virtues of this most iconic of British house records. Of course, “Voodoo […]
I’ve always been a little obsessed with the short-lived musical revolution that was “bleep and bass”. It’s for this reason that I was delighted to be given the chance to write about it for Resident Advisor, a project that took over my life for several months.